Lenka Davidikova’s artwork explores the idea of searching for an interpretation of the human condition, through introspection, and relationships with others. There is a sense of attraction to alienated, displaced characters in Davidikova’s artwork. Davidikova does not aim to create fixed images, guided by concentrated, focused attention; rather, she aims to be guided by active but unfocused attention, resulting in correspondences guided by ‘unconscious scanning’. Davidikova’s artistic practice consists mainly in working with various drawing media or ink. It is the immediate action these media offer that Davidikova is drawn to. The versatile ability of charcoal and graphite allows Davidikova to capture both gestures and emotions. In contrast, the limitations of the usage of ink, place a demanding element upon the artist’s fluid fixations.
Recently Davidikova started to experiment with the idea of making hand sewn 3D textile sculptures representing the human form which is often crippled. Having studied Fashion Design in Slovakia and hand sawing from a very early age, going back to reinterpreting skills and motions she once enjoyed becomes an important fresh element to Davidikovas artwork. It reinforces meditative aspect to her work processes.
The idea of the ‘Presenting Female Exhibition’ is to place emphasis on the female figure, in both its natural and unnatural settings, reflecting on the position of women within traditions, culture, and society. Depicting some of my personal heroines from Ireland, Northern Ireland, and Slovakia, the ‘Presenting Female Exhibition’ questions often assumed female trajectories. The ‘ Presenting Female Exhibition’ aims to celebrate the ‘ female ‘ figure within this society to bring awareness of her abilities to cope and to embrace everyday life; cultural differences, traditions she keeps alive, challenges she deals with and strength she shows to stand up for herself.